This 25,000 sq. ft. programmed light installation suggests a mysterious underwater world filled with luminescent creatures.
Blurring the boundaries of fantasy and reality
Where much light art is designed to dazzle, we took a more subtle approach. The harbor’s brackish water diffuses the hidden LEDs, making the entire body of water our canvas. Organic light programming paired with a rumbling, ambient soundtrack brings the harbor to life and creates a truly surreal, otherworldly experience.
The six scenes explore motions and moods that range from spooky to frenetic to meditative in a 15-minute cycle.
Many of Light City’s 470,000 attendees watched our piece from the bridge and adjacent piers.
Connecting viewers to their natural environment
While the harbor isn’t yet swimmable, activating the water allowed audiences to imagine a future where luminescent creatures really do swim through the city.
Some Thing in the Water provides iPhone-friendly moments for the casual viewer, but rewards those who devote greater time and attention to the piece.
“How did they do that?”
Discrete cabling and audio infrastructure recede in the dusk, creating a more seamless and magical viewing experience. Our portable command center is wired with pixel-mapped LED controllers, running Figure 53’s QLab to play the light animations and audio.
Over five miles of low voltage wiring strung across the channel support an organic grid of lights, connected to our control station.
No one said it would be easy
Constructing the project took dozens of volunteers and hundreds of man-hours. This herculean effort had our team stripping wires, zip-tying football-field-long coils, waterproofing LEDs, assembling thousands of parts, and learning new software. It was truly a learning experience, but the result and an overwhelmingly enthusiastic audience speak for themselves.